Tuesday, 30 March 2010
The Bloody Chamber - Re-interpretation of Gothic Conventions
Carter uses the girl to reflect the typical way in which women were portrayed in society. The girl is seen as pretty and naïve as she is referred to as a “rose.” This imagery is frail and innocent and this sticks with the reader throughout the novel. However Carter introduces a new idea of feminism when she reveals that the girl has been a tiger at heart the whole time. This suggestion of women being passionate and fiery does not follow the normal gothic conventions as traditionally a woman like this would have been considered as some form of evil.
Puss-in-Boots strays far from typical gothic conventions are there is little horror or fear within it, rather it follows more along the lines of a love story. The story seems more like a strange fairytale than a gothic story, considerably so compared to some of Carter’s other stories. The love that completely consumes the master creates sympathy and hope in the readers which is fulfilled as his feelings are returned by the Lady. The emotions used are not that of despair or fear which is unlike the usual distinctive features of a gothic text. The comic element which is brought in through the narration of the master’s pet cat is intriguing as it runs through the whole story taking it further away from the gothic region; “and they as happy as pigs in a plunk” The happy ending of the story comforts the reader rather than leaving them in suspense or turmoil as a gothic story would traditionally do.
Thursday, 14 January 2010
Frankenstein - Chapter 1
Tuesday, 8 December 2009
Overview of Frankenstein
Frankenstein - Significance of the Letters
Monday, 23 November 2009
Macbeth IV Reading Journal
Scene II – This contrasts with the previous scene as it is short and snappy. It speeds up with the action building up anticipation for the climax. Angus makes a connection with the blood imagery from previous scenes when he says; “murders sticking on his hands.” It is clear to the audience how Macbeth is viewed by the rest of the characters, names such as; “tyrant,” and “dwarfish thief,” belittle him and show how much respect he has lost.
Scene III – In this scene it is clear to the audience how out of his depth Macbeth is. He doesn’t act as a king and fulfil his role, we see that he is still a soldier at heart as he prepares for the battle too early when putting on his armour. Macbeth is isolated here; he has no one loyal left to support him as he pushed everyone away with his cruel actions. The presence of Seyton adds emphasis to the evil in the play as his name is linked with the devil. This creates a dark and gothic atmosphere as in the era the play was set in, Satan was a terrifying figure. For Macbeth to be associating with someone linked to such evil shows the extent to which he has fallen. When speaking of his wife he is cold and formal; “how does you patient, doctor?” He doesn’t refer to her as a person let alone someone he has promised to love, therefore reflecting how far their marriage has deteriorated.
Scene IV – This is a very short and snappy scene as it has a fast pace leading up to the battle. Seywards rhyme at the end helps the flow and rhythm of the scene. Macbeth is called a “tyrant,” throughout this act showing that everyone around feared him as he abused his power and position in society.
Scene V – Macbeth’s reaction to Lady Macbeth’s death is unusual, he is unnaturally composed and reserved at the news. Instead of mourning he rants about life and the inevitability of death. He belittles his wife’s existence and strips her life of any meaning. He spoke in a cold manner, generalising her death and not paying any attention to the qualities of her. Macbeth fears merely being a pawn controlled by greater forces. He doesn’t want to be just a “poor player,” and this is why he acted in the way he did to claim the throne.
Tuesday, 10 November 2009
Why are the Witches in Macbeth?
Monday, 9 November 2009
Macbeth - Act III
Scene I - This is a very dark and sarcastic scene. Macbeth says; "fail not our feast." in an overly friendly manner and this is very two-faced as he knows for certain Banquo will not be there. Banquo's description of his friendship with Macbeth is very sincere and genuine, emphasising the betrayal on Macbeth’s behalf. Banquo believes their bond is eternal and “forever knit.” This makes the audience sympathise with him and shows the extent to which Macbeth has fallen into darkness. The language used adds to the theme of the supernatural. The word “hush,” is used and this gives a sense of the tension and mystery that would be on stage. There is a spiritual side to the supernatural and Shakespeare uses words such as “oracles,” and “prophetic” to create this. The scene ends with; “thy soul's flight, if it find heaven, must find it tonight.” This dark imagery confirms Macbeth's evil plot and foreshadows the upcoming doom creeping up on Banquo.
Scene II – Lady Macbeth uses rhyming here which comes as a shock as the sing song nature is very feminine which is unlike her, she previously claimed; “unsex me,” in an effort to become more masculine. This also links her to the witches and their evil power as it has connotations of magic. She contrasts with Macbeth and instead of them traditionally becoming one within their marriage they are two very separate characters. Macbeth is openly guilty whereas Lady Macbeth is very detached and has little compassion for him. Sleep is linked through the whole play and in this scene the audience learn that Macbeth is having nightmare and is unable to rest. This is because sleep is peaceful and innocent so Macbeth is kept awake due to his emotional turmoil and fear or trusting anyone else. The supernatural imagery used is very violent but also links to nature. “Bloody,” “full of scorpions is my mind,” and “shard-borne beetle.” The use of sinister language hints at what is to come as even nature is at war with itself.
Scene III – The first murder on stage takes place and this emphasises the shock of the death of Banquo. “Who did strike out the light,” represents that any hint of goodness has disappeared with the death of Banquo, reminding the audience of the dark nature of the play. As Banquo enters he is suspicious; “it will be rain tonight.” This gloomy imagery foreshadows his murder and he is aware of something evil in the air. Seeing the murder actually on stage is the first real glimpse of the violence and clearly shows how far Macbeth has gone as he is willing to have his best friend murdered.
Scene IV – In this scene the insanity of Macbeth is revealed as he begins to go crazy in the presence of other people. This is a very important supernatural point of the play as his guilt is manifested as a ghost which could either be a figment of his imagination or real. The ghost is very significant as it is a guilt release for Macbeth because he had others kill Banquo whereas he had killed
Scene V – This scene returns to the witches as if carrying on from earlier. There is an emphasis on the witches control over Macbeth so his actions are not truly his fault. They should not have told Macbeth of his future but instead have left it to fate the way it was supposed to be. The supernatural here is based on destiny and magic; “spells,” “charms,” ”illusion,” and “spirit.”
Scene VI – The relevance of this scene is questionable but I think it is very important. It is heading to the climax of the play and there is a foreboding nature of what is lurking in the future for Macbeth as Macduff heads to