Thursday, 13 May 2010
Frankenstein can be seen as a novel that attempts to subvert the patriarchal system of the time
Mary Shelley’s status can not be ignored as the daughter of feminist Mary Wollstonecraft author looking for some type of feminism.Although on first reading Frankenstein is male heavy. The three male protagonists are Victor, Walton and the monster there are feminine undertones.Elizabeth ‘angelic’ elevates her status of that of a God. She is a symbol of goodness whereas the three central males all have flaws. Victor creates monster, monster kills, Walton is power hungry on the same path as Victor.Even in modern times the purpose of women is to recreate. Victor tries to remove women’s role in society by creating the monster. However this results in horror and tragedy showing women’s importance in societyThe monster is portrayed in a sympathetic light. His otherness/ inferiority to Victor a symbol of the patriarchal system can be related to women’s inferiority. Victor is educated, from a respectable and wealthy and takes of control he can be viewed as a representation of the Patriarchal system. Whereas is lonely, and without rights, equality or respect.
Tuesday, 30 March 2010
Key Issues Recurring Through the Bloody Chamber
Fairytale elements – “gobble you up,” “what big eyes you have.”
Feminism – role of women in society
Musicality – technical terms, “high soprano,” “fugue.”
Onomatopoeia “purr,” “clang.”
Entrapment – The Erl-King, cages. Wolf Alice, marginalisation “not understand their language.”
Superstition – “ghosts, hobgoblin, ogres,” “pentacle.”
Fate/game – tarot cards, “shall we make a game of it.”
Happy ending? – Endings tend to be tragic and ominous, but Carter presents it as a happy ending.
Nature – Winter setting reflects emotions of characters, “cold hearts,” “cold weather.”
Demonic – “incarnate”
Feminism – role of women in society
Musicality – technical terms, “high soprano,” “fugue.”
Onomatopoeia “purr,” “clang.”
Entrapment – The Erl-King, cages. Wolf Alice, marginalisation “not understand their language.”
Superstition – “ghosts, hobgoblin, ogres,” “pentacle.”
Fate/game – tarot cards, “shall we make a game of it.”
Happy ending? – Endings tend to be tragic and ominous, but Carter presents it as a happy ending.
Nature – Winter setting reflects emotions of characters, “cold hearts,” “cold weather.”
Demonic – “incarnate”
The Bloody Chamber - Re-interpretation of Gothic Conventions
Angela Carter re-interprets gothic conventions in The Bloody Chamber through The Tiger’s Bride and Puss-in-Boots. Carter has themes running through her short stories that to do not traditionally fit the gothic genre. The Tiger’s Bride contains strong elements of feminism as the protagonist is treated like a possession by her own father. The very first line of the story is blunt and direct; “My father lost me to The Beast at cards.” This introduction of the young girl shows her apparent lack of worth as her careless manner and use of words is straight to the point with little emotion. The personification of “The Beast,” immediately shows the ranking of status in an unusual way. Instead of creating fear with the name “The Beast,” Carter uses power and control to set the scene for her story.
Carter uses the girl to reflect the typical way in which women were portrayed in society. The girl is seen as pretty and naïve as she is referred to as a “rose.” This imagery is frail and innocent and this sticks with the reader throughout the novel. However Carter introduces a new idea of feminism when she reveals that the girl has been a tiger at heart the whole time. This suggestion of women being passionate and fiery does not follow the normal gothic conventions as traditionally a woman like this would have been considered as some form of evil.
Puss-in-Boots strays far from typical gothic conventions are there is little horror or fear within it, rather it follows more along the lines of a love story. The story seems more like a strange fairytale than a gothic story, considerably so compared to some of Carter’s other stories. The love that completely consumes the master creates sympathy and hope in the readers which is fulfilled as his feelings are returned by the Lady. The emotions used are not that of despair or fear which is unlike the usual distinctive features of a gothic text. The comic element which is brought in through the narration of the master’s pet cat is intriguing as it runs through the whole story taking it further away from the gothic region; “and they as happy as pigs in a plunk” The happy ending of the story comforts the reader rather than leaving them in suspense or turmoil as a gothic story would traditionally do.
Carter uses the girl to reflect the typical way in which women were portrayed in society. The girl is seen as pretty and naïve as she is referred to as a “rose.” This imagery is frail and innocent and this sticks with the reader throughout the novel. However Carter introduces a new idea of feminism when she reveals that the girl has been a tiger at heart the whole time. This suggestion of women being passionate and fiery does not follow the normal gothic conventions as traditionally a woman like this would have been considered as some form of evil.
Puss-in-Boots strays far from typical gothic conventions are there is little horror or fear within it, rather it follows more along the lines of a love story. The story seems more like a strange fairytale than a gothic story, considerably so compared to some of Carter’s other stories. The love that completely consumes the master creates sympathy and hope in the readers which is fulfilled as his feelings are returned by the Lady. The emotions used are not that of despair or fear which is unlike the usual distinctive features of a gothic text. The comic element which is brought in through the narration of the master’s pet cat is intriguing as it runs through the whole story taking it further away from the gothic region; “and they as happy as pigs in a plunk” The happy ending of the story comforts the reader rather than leaving them in suspense or turmoil as a gothic story would traditionally do.
Thursday, 14 January 2010
Frankenstein - Chapter 1
Here we see Frankenstein's possessive nature; he occupies the role as Elizabeth's protector and views her as his possession, "til death she was to be mine only." Frankenstein dotes on Elizabeth in a passionate and loveing manner, she lights up his world and seems to give him purpose before his obsession with knowledge begins. The intensity of their connection foretells of their marriage, "mine to protect, love and cherish." The similarity to wedding vows reflects how devoted Frankenstein was to Elizabeth even from a young age. Immediately readers discover Frankenstein's pride and his desire for glory. He enjoys shaping Elizabeth's character and sees any compliment bequeathed to her as a credit to him, "all praises bestowed on her I recieved as made to a possession of my own." This foreshadows his craving for power and recognition which he explores through his journey for knowledge. Frankenstein grew up in a stable, shelteredd environment filled with love and affection from his parents. They were good people who strove to teach him lessons of; "patience, of charity, of self control."This raises the question of what triggered Frankenstein's path of self destruction. It could have been a rebellion against his parents or there could be something ingrained in him pushing him further into his quest for knowledge. His parents are often referred to as "benevolent," which reflects Frankenstein's respect and admiration for his parents. God is also described as benevolent which links religion into the novel from an easly stage. His mother is also referred to as "a guardian angel to the afflicted."
Tuesday, 8 December 2009
Overview of Frankenstein
Frankenstein is fascinating as it raises the questions of ethics and prejudice. The recurring theme of playing God and Christian morality gets readers thinking of how far is too far? Did Frankenstein have any right to create what he did and to then try and control it? The moral issues brought up are thought provoking as we sympathise with the monster who is shunned by society merely because of his appearance despite his gentle nature. Shelley successfully explores human emotions through solitude, companionship and obsession. The tragedy of the novel makes it intriguing as we participate in Frankenstein’s journey as he suffers the consequences of his actions.
Frankenstein - Significance of the Letters
The letters form a cycle within the novel, they round up the ending by allowing us a glimpse into the future of Frankenstein and what became of him and his monster. The letters are important because we immediately dive into a parallel character suffering from loneliness and a thirst for knowledge. This foreshadowing prepares us for Frankenstein's life and what is to become of him and why. Questions of creation arise within the letters as elements of poetry and the human drive are explored. The sailor has a strong determination to reach his goal and there is no limit to what he will do to get there. This recurring theme of self sacrifice is fascinating as we see how consumed Frankenstein and the sailor become with their work and the power it exudes over their lives. The sadness and dismal setting of the letter creates emotion in the readers as we sympathise with the sailor's longing for companionship. "There will be no one to participate in my joy," the desperation for a friend could potentially lead to the sailors downfall, as it did to Frankenstein.
Monday, 23 November 2009
Macbeth IV Reading Journal
Scene I – This scene is very frightening, the presence of the doctor shows that there is something clearly wrong with Lady Macbeth. As we see Lady Macbeth’s insanity, unlike with Macbeth we feel no sympathy for her. The audience would feel she deserves this illness as previously throughout the play we have always seen her as a cruel woman on the dark side. The sleep walking shows how disturbed Lady Macbeth is. Sleep is the most peaceful time when evil is stripped away, yet she cannot rest. When Lady Macbeth is asleep, she is her real self but when she is conscious she is controlled by the witches. This link to the weird sisters creates a slight empathy in the audience.
Scene II – This contrasts with the previous scene as it is short and snappy. It speeds up with the action building up anticipation for the climax. Angus makes a connection with the blood imagery from previous scenes when he says; “murders sticking on his hands.” It is clear to the audience how Macbeth is viewed by the rest of the characters, names such as; “tyrant,” and “dwarfish thief,” belittle him and show how much respect he has lost.
Scene III – In this scene it is clear to the audience how out of his depth Macbeth is. He doesn’t act as a king and fulfil his role, we see that he is still a soldier at heart as he prepares for the battle too early when putting on his armour. Macbeth is isolated here; he has no one loyal left to support him as he pushed everyone away with his cruel actions. The presence of Seyton adds emphasis to the evil in the play as his name is linked with the devil. This creates a dark and gothic atmosphere as in the era the play was set in, Satan was a terrifying figure. For Macbeth to be associating with someone linked to such evil shows the extent to which he has fallen. When speaking of his wife he is cold and formal; “how does you patient, doctor?” He doesn’t refer to her as a person let alone someone he has promised to love, therefore reflecting how far their marriage has deteriorated.
Scene IV – This is a very short and snappy scene as it has a fast pace leading up to the battle. Seywards rhyme at the end helps the flow and rhythm of the scene. Macbeth is called a “tyrant,” throughout this act showing that everyone around feared him as he abused his power and position in society.
Scene V – Macbeth’s reaction to Lady Macbeth’s death is unusual, he is unnaturally composed and reserved at the news. Instead of mourning he rants about life and the inevitability of death. He belittles his wife’s existence and strips her life of any meaning. He spoke in a cold manner, generalising her death and not paying any attention to the qualities of her. Macbeth fears merely being a pawn controlled by greater forces. He doesn’t want to be just a “poor player,” and this is why he acted in the way he did to claim the throne.
Scene II – This contrasts with the previous scene as it is short and snappy. It speeds up with the action building up anticipation for the climax. Angus makes a connection with the blood imagery from previous scenes when he says; “murders sticking on his hands.” It is clear to the audience how Macbeth is viewed by the rest of the characters, names such as; “tyrant,” and “dwarfish thief,” belittle him and show how much respect he has lost.
Scene III – In this scene it is clear to the audience how out of his depth Macbeth is. He doesn’t act as a king and fulfil his role, we see that he is still a soldier at heart as he prepares for the battle too early when putting on his armour. Macbeth is isolated here; he has no one loyal left to support him as he pushed everyone away with his cruel actions. The presence of Seyton adds emphasis to the evil in the play as his name is linked with the devil. This creates a dark and gothic atmosphere as in the era the play was set in, Satan was a terrifying figure. For Macbeth to be associating with someone linked to such evil shows the extent to which he has fallen. When speaking of his wife he is cold and formal; “how does you patient, doctor?” He doesn’t refer to her as a person let alone someone he has promised to love, therefore reflecting how far their marriage has deteriorated.
Scene IV – This is a very short and snappy scene as it has a fast pace leading up to the battle. Seywards rhyme at the end helps the flow and rhythm of the scene. Macbeth is called a “tyrant,” throughout this act showing that everyone around feared him as he abused his power and position in society.
Scene V – Macbeth’s reaction to Lady Macbeth’s death is unusual, he is unnaturally composed and reserved at the news. Instead of mourning he rants about life and the inevitability of death. He belittles his wife’s existence and strips her life of any meaning. He spoke in a cold manner, generalising her death and not paying any attention to the qualities of her. Macbeth fears merely being a pawn controlled by greater forces. He doesn’t want to be just a “poor player,” and this is why he acted in the way he did to claim the throne.
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